The film is considered a contender for the Palme d’Or. This is Saul’s world, tight and claustrophobic and chaotic we might see dead bodies or Nazi guards in quick flashes in the corners of the frame, but mostly what we’re looking at is Saul’s impassive face, drained of humanity because to be human would be unbearable.” “…The camera mirrors Saul’s ability to shut things out, because it almost never leaves his face (or the back of his head) and rarely backs up to show even a medium shot. TheWrap’s Steve Pond wrote: “”Son of Saul” does something remarkable: It finds an original way to look at the Holocaust cinematically, bringing a startling energy and a fresh look to a subject already explored countless times onscreen. The film won over the critics early in the festival.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |